{"id":5034,"date":"2023-02-10T08:48:09","date_gmt":"2023-02-10T08:48:09","guid":{"rendered":"https:\/\/art-japan.jp\/en\/?p=5034"},"modified":"2023-04-18T08:56:32","modified_gmt":"2023-04-18T08:56:32","slug":"mizuho-fukumuro-spur-29","status":"publish","type":"post","link":"https:\/\/art-japan.jp\/en\/exhibitions\/5034\/","title":{"rendered":"SEIZAN GALLERY TOKYO \u51f8\u3000Mizuho Fukumuro: Spur 29"},"content":{"rendered":"<p>As ordinary days repeat, certain things become so second nature that they are \u201cunseen, even as they are seen.\u201d From the pebbles that mark the sidewalks down which we pass to the mother of pearl buttons that fasten our clothes, where did these things come from and how did they find their way into our hands?<\/p>\n<p>Even if we can\u2019t see the undulations of deep underground currents, the heat that circulates within massive rock formations, or other natural activities that are repeated over dizzyingly long timespans, the artist Mizuho Fukumuro believes those things have synergy with own bodies and the emotions we express.<\/p>\n<p>The landscapes of 10,000 years ago and the scenery that spreads out at our fingertips today\u2026 By gradually applying layer after layer of paint to create crisscrossing lines and perspectives, Mizuho Fukumuro explores the relationship between far distant locations and our own selves.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>As ordinary days repeat, certain things become so second nature that they are \u201cunseen, even as they are seen.\u201d From the pebbles that mark the sidewalks down which we pass to the mother of pearl buttons that fasten our clothes, where did these things come from and how did they find their way into our [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5047,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[2],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO 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