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&lt;/script&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://art-japan.jp/en/exhibitions/7316/embed/" width="600" height="338" title="&#x201C;SEIZAN GALLERY TOKYO &#x51F8;&#x3000;Lin Mingjun:&#xA0;Layered Screens&#x201D; &#x2014; SEIZAN Gallery" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;</html><thumbnail_url>https://art-japan.jp/en/wp-content/uploads/2026/09/76833&#x300C;&#x91CD;&#x5C4F;&#x56F3;&#x300D;2026&#x5E74;&#x3001;&#x5909;&#x5F62;-145-&#xD7;-87-cm&#x58A8;&#x3001;&#x9854;&#x6599;&#x3001;&#x96F2;&#x808C;&#x9EBB;&#x7D19;.jpg</thumbnail_url><thumbnail_width>650</thumbnail_width><thumbnail_height>365</thumbnail_height><description>Lin MingJun uses monochrome frames derived from ink to offset images that are as sophisticated as they are absurd. Her exceptionally simple and precisely controlled compositions possess seemingly eternal stillness and limitless beauty. In the artist&#x2019;s hands, the color black is used to evoke the quiet energy that accumulates before a perfectly tranquil world is [&hellip;]</description></oembed>
